In the last Post I promised you a picture of the front side of the scarf once it came off the loom. The scarf does not have a nice drape. It is heavy or stiff so it will most likely be cut up to create smaller objects. Oh why didn’t I sample? I’m using a 16/2 bamboo instead of the 10/2 bamboo used in the first piece for the next scarf. The fabric is now lighter and should give a nicer drape. Yes there is a color difference. Above a Teal yarn in tabby. Below the second scarf on the loom using a navy tabby yarn.
Tabby: Navy 16/2 Bamboo
The plants are beginning to think Spring has arrived in Houston. Hopefully they will look this nice after the rain stops.
Chinese fringe flower
When looking through sample books from Cross Country Weavers, I found myself having treadle envy. I’m sure your asking yourself what could she possibly be talking about. My loom has 8 harnesses and 10 treadles. The sample that I found myself interested in weaving needed 7 harnesses ( no problem) . Alas, it used 11 treadles. A couple of years earlier I had designed a piece needing more treadles than I possessed. Here Tim’s Treadle Reducer program comes to the rescue. You enter in the shafts, and treadles in the original design, and the number of shafts and treadles on your loom.
Click on ” Make a grid” , to go to next step below: Entry
Treadle Reducer Entry Treadle Reducer results
In reducing the number of treadles needed to weave the design, treadling becomes more involved. At times you need to depress two treadles at the same time. A small price to pay to weave more complex designs.
This program has allowed me to begin weaving a scarf inspired by a sample by Sally Orgren in Cross Country Weavers, March 2008, using a Bateman Blend pattern. The photo at the top, shows what will become the backside of my scarf. So follow the blog to see the finished scarf in a future post.
Crimp weave sample
In January I attended Dianne Totten‘s Crimp Weave Workshop put on by the Contemporary Handweaver’s of Houston Guild.
My loom was setup to do weft Shibori which meant I needed to use a polyester or Orlon yarn in the weft to create crimp cloth. These two types of yarn are heat sensitive. The warp could be any fiber I wanted to use. I used a teal 10/2 bamboo with a few stripes of silver 8/2 Tencel. The threading was an advancing twill. As a workshop the point is to try to weave as many samples as possible. After the samples are woven and taken off the loom,the pattern threads are pulled tightly up. Next the piece is steamed, and pattern threads are removed. The result is crimp cloth, fabric with permanent texture.
Sample on loom.
Black threads are pattern pull threads.
Samples above were made during workshop. Different yarn types, sizes and combinations of yarns were used in weft to create the samples. The possibilities are endless. Now what weave structure to try next?
If your tired of shawls falling off your shoulders an alternative is to make a Möbius Shawl. The trick is to twist the shawl once than stitch one end to the side of the other end. This really is just a fancy poncho, with softer draping of fabric in the front. The technique works well for lighter weight shawls also.
Mobius Shawl Front
Mobius Shawl Back
These and many of my other weavings will be available at the Contemporary Handweavers of Houston Sale. The sale is in a new location this year. I’ll be working several of the days so drop by I’d love to see you.
Rep Weave- Warped faced
My warp from the Rosalie Neilson‘s Rep Weave workshop put on by the Contemporary Handweavers of Houston guild, has been woven and is off the loom. It’s been a few years since I’ve woven Rep.
The workshop, “It’s in the Warp: Color& Design in Rep”, is worth taking. Rosalie explained in a precise manner how this weave structure works. The 4 yd warp let one explore the design possibilities of this weave structure. Except for the trials caused by the sticking harnesses on my 8 shaft Baby Mac loom this was a great workshop that I would highly recommend. Below are the pieces woven as I explored the possibilities of weaving rep.
You can see other workshop participants rep weaving by clicking on this link: http://weavehouston.org/reppin-with-rosalie/. The 15 weavers could choose from different pattern threadings so there is a variety of Rep patterns produced. .
Coral towel variations
It’s fun to vary the weft yarn color when weaving multiple items on a long warp. By changing things up it helps when boredom sets in. The 5 1/2 yd warp gave me 5 towels. Three like the first towel in the picture and one of each of the others. This is an eight harness turned twill using cottolin yarns. I love the hand that cottolin gives a towel. Which color towel is your favorite?
Began weaving another color way using the same turned twill setup for the previous coral towels. These are probably my favorite colors to weave with. I just love a bright blue (royal blue). These will be made with 22/2 cottolin, from my stash. Alas, there is very little of the purple and turquoise remaining after warping.
I Belong, 2014
Mixed media, structural weaving
Attended “Craft Texas 2014″ at the Houston Center For Contemporary Craft, on Saturday. This piece saddened but delighted me that an artistic use was found for some thing I use regularly to create art. The artist used two shafts or harnesses from a loom and numerous heddles which would normally hold the individual warp ends on a shaft to create this work of art.
It’s getting harder and harder to walk at night with the sun beginning to set at 7:15pm central time here in Texas. I’ll have to come up with a different time / place to walk soon.
Posted in 8 harness weave, cottolin, Handwoven towels, Travels, Twill Weave, Uncategorized
Tagged craft, Craft Texas 2014, Fiberart, Hand weaving, handweaving, Handwoven Towels, Houston Contemporary Craft Museum, weaving
I like to experiment and the two scarves in this blog use different techniques. The scarves were each hand woven using a black rayon yarn in both the warp and weft. A pattern yarn was woven in a twill pattern one pick every 6 ends. These pattern threads were later pulled and knotted along each selvage. At this stage the scarf is put into a solution of bleach and water, to remove or disperse the black dye. The scarves are allowed to dry. Now I began to experiment by applying Shiva paint stick to one side. The copper highlighted areas in the finished scarf above is Shiva paint.
Handwoven Shibori scarf after weaving. See the pattern threads.
This scarf had Procion MX dye painted on one side of the scarf after dispersing the black dye from the rayon yarn this is done before the pattern threads are removed. Experimenting is fun way to get new looking pieces.
Currently being woven on the loom are Coral inspired towels. The above picture highlights the center of the towel. The border has already wrapped around the front beam. This is a turned twill or block twill, where one block has the warp yarns mostly on top and the next block has the weft yarns mostly on top. I’m weaving with a 22/2 cottolin yarns, sett at 24 ends/inch on 8 harnesses. Except for the border the weft yarn for this towel is a natural cottolin. Since I will being weaving 5 towels, I plan to use a different weft color in a couple. I can also play with block sizes which will help to make the weaving less boring. This is a favorite weave structure of mine for playing with blocks of color.
Juvenile Yellow-crowned Night-Heron seen on my walk last night.
2 Scarves one hand painted warp
It’s always amazing to see how different colors of yarn used in the weft with the same warp will change the end results. These scarves were both woven on the same painted warp. The weave structure used was a manifold twill. The painted warp yarn is an 8/2 Tencel dyed with Procion MX dyes. The weft yarns for each scarf are a 10/2 bamboo yarn. The weft yarns where from 2 different manufactures, XIE Bamboo for the turquoise scarf and Webs bamboo (This yarn has been discontinued) for the red-purple scarf. The Webs bamboo is less tightly spun, so has less shine to it. It was a good decision to unweave a large part of the Red-purple scarf. The end result is better. Now what to weave for the next project.
The Magnolia’s blooms are so fragrant.