Hand painted natural dyes with added fabric paintstik highlights
This silk scarf was one of two done in a natural dye extract class at HGA Convergence 2014, taught by Linda Hartshorn. In a earlier post I showed this scarf before I had washed the residual dye out. Waiting the 2 weeks to wash was painful. Very little of the dye washed out, so it was worth the wait. After washing I was unhappy with the indigo squiggles.
Before adding paintstik outlines
The added paintstik highlights added some bling and refined the indigo edges.
Stamped natural dye extract scarf
The above scarf was also done in this workshop. It is much simpler in appearance. Thicken natural dyes were painted on a stamp then applied to the scarf. The leaves were indigo and the bees were logwood. For the bees I would choose a different natural dye to use if I was doing this again. The class was a great way to explore a new technique. An added benefit is walking away with 2 finished scarves to wear myself or give as a gift.
Close-up of a Handwoven Shibori Scarf, using bleach technique.
Bleached Shibori Sample with pattern threads removed.
Pattern threads pulled creating resist for bleaching process.
I love to experiment, probably has something to do with working in chemical labs early in my career. My newest adventure uses black rayon in both the warp and weft of a Handwoven Shibori piece. Instead of applying dyes to the piece after pulling the pattern threads, I bleached the fabric. It’s important to dilute the bleach so as not to damage the fibers. Also after rinsing the bleached fabric needs to be soaked in a dechlorinator such as hydrogen peroxide found in your local drugstore. A finished scarf called “Rustic”
can be seen in the
“Handwoven Shibori Gallery”