This past weekend I took my 2nd tapestry class Held at the CHH Guild House.We spent a day learning different types of joins: Dovetail, slits, sewing up slits, and interlock joins. The 2nd day was learning about Eccentric weaving.
Eccentric weave seems more spontaneous or free form since the weft can travel at a diagonal angle rather than perpendicular to the warp. I’ll be experimenting on this piece more with this technique. The above piece is what I wove in class. So tapestry is not fast weaving. There were several more experienced tapestry weavers in the class in addition to the teacher. It was wonderful that they were all so willing to share tips and tricks. We discussed pros and cons of weaving from the front vs back, setts, yarn types and sources to name a few things. So we’ll see where all my new knowledge takes me.
My 3rd tapestry and the first I designed. I worked off of a cartoon, a rough drawing placed behind the warp to guide one in weaving. After my beginning Tapestry class it was suggested that I do some Hachure and a circle. Hachure is a tapestry technique where 2 different colors alternate. Not a perfect circle but not bad for a first try. So I was prepared for my next class.
Some days it seems one won’t ever get to the point of weaving beautiful cloth. A simple 8 shaft turned twill makes weaving fairly simple. There’s no need to even use the Tempo Treadle to help with weaving. Just treadle 1-4 two times than 5-8 two times and vala pattern repeat is done. One shuttle to throw so weaving goes quickly.
Weaving did go quickly but a few problems needed fixing first. I discovered when threading that there were not enough heddles on 2 of the shafts. Oh my! I could rethread so the heddles could then be moved around on the shafts. Instead I added string heddles which is a fairly easy fix.
A change in weft colors and varied treadling helped appease the boredom that can set in when weaving multiple towels on a longer warp.
Every autumn I weave a set of towels in colors of changing trees. There’s not much inspiration here, but my eye can take me back to the years spent in Minnesota.
The towels are a twelve shaft shadow weave, of 22/2 cottolin sett at 20 ends per inch. I used any where from 3 to 5 colors in their weaving. 3 colors in warp, The weft colors were changed as cones were used up to avoid adding to the stash.
The box above is the 4 shaft extension kit for the Spring loom. Not what I expected for all that money. Anyways it arrived a few days before Hurricane Harvey so was not assembled for several weeks. A few choice words were spoken during assembly. ( Have you ever assembled IKEA pieces?) My recommendation is if you think you want 12 harnesses invest up front and purchase a 12 shaft loom.
This bundle of joy arrived a month ago to my Son and Daughter-in-law. We are lucky to live 5 hours away, making it easier to visit my first grandchild.
A Baby blanket was woven and gifted.
I’m finishing items for the CHH Annual Sale. So if your in the neighborhood visit and support the Fiber artists participating as well as the Contemporary Handweavers of Houston guild.
Signs of the coming winter with the Blue Heron returning to the community lake.
A horizontal band or accent along or near the edge used to highlight a design is one definition of border. When I design towels adding a border creates visual interest. The shadow weave towels just off the loom have borders at the bottom edge of the towel. More details about these towels can be found in a previous post In the Shadows.
The middle towel above does not have a border added.
For these shadow weave towels, the border is simply plain weave. The alternating colors create the horizontal and vertical pattern due to the threading of the warp. This border is a simple “color and weave” pattern. The towels border that has 2 bands of pattern is a plain weave, color and weave pattern known as log cabin.
Now that your all confused which towel do you prefer, no border, a border with a single band or block of accent, or the border with 2 blocks (the log cabin design)?
These towels can be found in the Contemporary Handweavers of Houston – Guild House Gallery in mid May.
I’m transitioning to summer blooms geraniums, marigolds and zinnias. The summer heat is almost upon us.
Weaver, Dyer, Fiber artist. Creating one of a kind Handwoven fashion accessories and items for the home on one of my 2 floor looms. I have been weaving for 40 some years, having learned while in college. The University of Wisconsin Stout offered weaving classes in their Home Economics department started my journey.The beauty of nature provides inspiration for much of my work.