Varigated warp, Solid weft
Huck Lace is traditionally done the same solid color in both the warp and weft. The floats that create the design, are more visible with a solid color scarf. But why always follow tradition in your weaving, explore! So that is exactly what I have done with these two scarves. The weave structure is the same Huck lace pattern used in the previous post Love that huck.
The first scarf used a Varigated 8/2 Tencel warp. The weft was a solid color to coordinate with the darker color in the warp. The second scarf used a metallic quilting thread as the weft. Here the same warp was used as in the first scarf. The metallic weft created texture in the scarf after washing.
Varigated Tencel warp. Metallic quilting thread weft.
I’ve been busy weaving Huck lace scarves. It is one of my favorite weave structures. The first were these lovely purple tencel ones. I modified the draft from one for 12 harnesses to weave on 8 harnesses. But it still creates a nice pattern.
Being happy with the first 2 scarves, I tied on a new warp. These used a silver-gray tencel for the warp and weft. Later I played with the extra warp making samples for possible later projects. Using different types of yarn for the weft, as well as a different weave structures to create a crimp weave samples too.
When the metallic quilting thread was used for top of sample in photo 1, it remained soft after washing. This same metallic thread was used in the second sample photo. The crimp process gave a rough hand which would not work for a scarf. The third photo an 8/2 poly was used in weft giving a much nicer hand for this crimp weave sample.
If you’ve read this far I hope you enjoy the sunset at the beach in Cancun, Mexico, taken on a recent vacation.
Ok, I’ve been offline for a long time. Life got in the way. Some good and some bad , but I’m going to try to get back in the groove of posting more often. These Rep weave pieces were woven with the warp from Rosalie Nielson’s workshop last October.( I don’t yet have another warp on that loom.) They were all done using the same tie-up. The different looks were created using treadling variations and weft differences. The first is a traditional rep weave, an original design. Applying the design tools learned in Rosalie’s workshop made creating an original design a breeze.
This runner does not have the thin weft in between each thick weft. It gives a totally different look. The weft is also half the thickness as the traditional rep runner. Below is a close up of a sample piece with this technique.
I’ll close with these Spring flowers from a recent trip to the Dallas Arboretum.
Weaving simple works when one can’t weave on your floor loom. These rag weave coasters were woven on a 2 harness peacock table loom. They will be gifted to a neighbor whose dog ate their last coasters.
I’ve started to weave on the remaining warp from the Rosalie Neilson workshop I took in October. I’ve designed a new runner with what I learned in the workshop. When the rep weave runner is off the loom and hemmed I’ll share the final results. The runner is woven but there is still another yard of warp I want to weave. With any luck the weaving will be completed yet this week.
This red Amaryllis bought in the after Christmas sales is now blooming, brightening up this gray overcast day.
So I skipped threading the heddles and sleying the reed, by tying on a new warp to the last warp on the loom. From earthy Autumn to Jewel tones the warp has changed. These colors just made me feel happy as I wove. There will be 5 Cottolin (cotton and linen blend yarn) towels.
One of the towels will be for me and the remaining four are for sale in the Gallery at the Contemporary Handweavers of Houston, Guild House . The color in the photo on the loom is better than of the finished towels. Funny how different light sources affect the captured image.
This Santa ornament was added to our Christmas tree this year. It was made from a Mill Hill beaded counted cross stitch kit. The kits contain everything one needs to complete the project. The beads add sparkle to the piece. I’ve started stitching a new ornament for next year. The tree is decorated for Christmas and awaiting packages to be placed beneath.
The completed Autumn inspired runner is from the Rosalie Neilson weaving workshop I took last month. The runner will be gracing my dining room table at Thanksgiving. Of course once all the food is placed on the table it maybe hard to see. There will be the traditional turkey with all the extras, green bean casserole, candied sweet potatoes, mashed potatoes and gravy, asparagus, cranberry sauce, and yeast rolls, followed up by pumpkin pie. We’ll be hosting my daughter and her boy friend. My son and his fiancé will be at her families dinner.
The remaining two motifs woven were published in the previous post, “Designing with Rep Weave.”
The bounty from our little orange tree. The top of the tree suffers from freezing last winter. Yet it produced 10 oranges much better than last years crop of zero. May you all enjoy the bounty and fellowship of Thanksgiving.
It’s that time of year again. The temperature cools. The garden stores are selling mums and the trees will begin turning colors. I have often chosen to weave fall colors into my woven pieces. Shades of burgundy, oranges, golds, browns and green yarns are selected. I work off of memories of Fall in Minnesota, since here in Texas most of the trees won’t change for several months.
The weaving above will be towels of cottolin (a cotton linen blend). They are woven as an 8 harness broken twill, also called false satin. A true satin weave requires more than 8 harnesses to weave and so I can not do on my loom.
Every time one of these towels is picked up I will think of going for walks amongst maple trees changing colors and leaves crunching under foot.
These Bronson Lace towels have been on the loom for quite a while. There’s 2 left to weave so I need to get motivated. I’ve woven this pattern before and find that it’s one I come back to weave in different colors. This is an 8 harness weave. The pattern looks different depending on the number of different colors you use in the weft and where the colors are placed in the pattern. Here are some examples:
The top photo uses burgundy, black and gray in weft. The photo above uses only burgundy and black in weft. The burgundy looks pinker when crossing the gray. Need to remember this color interaction in the future. The photo below shows another 3 shuttle towel but with more shuttle changes.
Weaving a whole towel like this, was a little insane with all the shuttle changes needed to create the pattern. So only one towel will be woven this way. The pattern does work well as a border only.
So I’ll close with a nature shot.
Muscovy ducks at BJ’s
These ducks were on the sidewalk outside the restaurant bumming for handouts. They had no fear of humans, not a good thing. A little late in the year for this batch of ducklings.
Almost 2 years ago I wove and dyed 3 some yards of Handwoven Shibori fabric. The dyed fabric reminded me of the tranquil waters in the Bahamas. I wanted to make something to wear, but what? In my mind I envisioned a dress, but there wasn’t enough fabric. The Shibori fabric would need to be the focal point in the dress. So I wove another 3 yards of solid color fabric in a simple 8 harness twill, using a cotton/silk blend. The Shibori fabric is made from 8/2 Tencel. These two fabrics were used to sew the dress using Simplicity 1586 pattern. I modeled the dress in the Contemporary Handweavers of Texas 2015 conference fashion show this past weekend. The back of the dress also has the center panel of handwoven Shibori fabric with side panels in the twill fabric. It only took 2 years but I accomplished my goal. The challenge now is to find a use for the remaining fabric. What do you envision creating?