It’s been a while since I’ve woven any Huck Lace. A new to me pattern this one is from “Weavers Best Huck Lace.” This pattern is by Dini Cameron, page 17. Huck Lace shows up best when a solid color is used in both the warp and weft. This is a scarf of 8/2 Lyocell (Tencel), sett at 20 epi. There are 3 motifs across the scarf.
Our last Guild meeting of the year was Hands on “Finishing Techniques – Tips and Tricks. There were five stations, Wet finishing, Rolled hems, Photographing work – Light box, twisted fringe, and Inkle bands.
I demonstrated twisted fringe and adding beads. When I add beads I often use a needle threader to make it easier and faster to add the beads to a warp end. A member had a good handweaving hack ” use type of dental floss used if you have a bridge or braces instead of needle threader.
This month there was a trip to Minneapolis, Minnesota to visit my mother. Since I grew up in the area we visited many of my past haunts. But alas I had to leave and came back to upper 80-90 degree days where winter coats are not required.
Hard to believe Christmas is almost here. I’ve been caught up in decorating, the buying of the perfect gifts, wrapping, baking and holiday gatherings.
I haven’t found much time to weave. This was woven on my new 8 harness, Jane table loom, with Tempo Treadle.
I had fun playing with different weft yarns. And found the metallic really set off the pattern. yet one of the textured yarns just hid the pattern.
In our house Christmas isn’t Christmas without those special cookies. Peanut butter blossoms, Russian tea cakes, Chocolate Crinkles, Spritz, Sandbakkel cookies and maybe something else if inspiration hits me.
It’s hard to believe the holidays are right around the corner. Yes I’m still weaving whenever possible. This year I took on another role for the Houston Handweavers as President. Some say being president is an easy role. Yet trying to keep everyone engaged, while trying to help improve the health of the guild can be difficult task. But I decided that the guild was important to me so when no one else stepped up I said yes.
The above weaving uses 8 harnesses and 10 treadles. This advancing twill is an 8/2 twill, sett at 24 epi for a towel. I realized that one weft repeat had been left out throughout the piece. It will still be functional, but looks even better when treadled like this:
The transitions between boxes is much smoother with this one pick added to each repeat. Can you see the difference.
This could be interesting with different colors used in the warp for each box but a solid weft.
The temperature didn’t get low enough to do in these cannas. The Palm tree canopy may have helped to protect them.
Each year the the Contemporary Handweavers of Houston have a Swatch Swap that any member can join for a nominal fee. At the end of the previous year members pick the subject matter with this year’s subject being “Seasons”. Participants can interpret this as they wish.
This is the weaving I needed to finish when I found myself in the boot for Achilles tendinitis. So I wove this 8 shaft, 8 treadle, twill, one footed.
The warp is a baby blue, 10/2 Mercerized cotton, sett at 30 epi. For the weft I used a double shuttle with with one shuttle white 10/2 unmercerized cotton, and the second shuttle a translucent white metallic yarn. The finished fabric has a nice sparkle from the metallic yarn and will be made into table runners. The actual fabric is a prettier blue than what I was able to photograph.
I chose winter for my season. Living in Houston I miss snow. I especially miss it after the endless days of heat and humidity. I grew up with snow in Minneasota and still find it magical. Of course I don’t miss the subzero temperatures or the dirty gray snow piled along the roadways, but fluffy snow coating tree branches, and the ground will always bring fond memories of bygone days.
I am out of the boot. The foot still is not 100%, so on trips I throw the boot into the suitcase just in case.
I will be attending the Hand Weavers Guild of America Convergence conference in Reno, Nevada later this week and hope to see some of you there.
The Iris is from my mother-in laws garden, in Superior,Wisconsin.
Sunsets and sunrises inspire this scarf. The hand dyed yarn used in the warp was a former convergence purchase, a fiber combination Rayon/Linen, which I had not woven with before. The 8 harness twill floats show off the warp colors. A magenta tencel was used in the weft.
So why weave two scarves alike? The second scarf on the warp I used a olive green Tencel for the weft. Much more subtle. This scarf was also treadled differently, using the same tie-up. When finished the scarves had a nice hand and drape. The Linen gave a sturdier feel than a scarf from all Tencel/Rayon.
Thoughts of spring flowers.
A trip to the garden store, found beautiful daffodils and tulips. I came home with snapdragons, marigolds, and petunias for the flower pots on the deck. Flowers I hoped would last longer as our temperatures fluxuate.
I’ve been busy weaving Huck lace scarves. It is one of my favorite weave structures. The first were these lovely purple tencel ones. I modified the draft from one for 12 harnesses to weave on 8 harnesses. But it still creates a nice pattern.
Being happy with the first 2 scarves, I tied on a new warp. These used a silver-gray tencel for the warp and weft. Later I played with the extra warp making samples for possible later projects. Using different types of yarn for the weft, as well as a different weave structures to create a crimp weave samples too.
When the metallic quilting thread was used for top of sample in photo 1, it remained soft after washing. This same metallic thread was used in the second sample photo. The crimp process gave a rough hand which would not work for a scarf. The third photo an 8/2 poly was used in weft giving a much nicer hand for this crimp weave sample.
If you’ve read this far I hope you enjoy the sunset at the beach in Cancun, Mexico, taken on a recent vacation.
Currently being woven on the loom are Coral inspired towels. The above picture highlights the center of the towel. The border has already wrapped around the front beam. This is a turned twill or block twill, where one block has the warp yarns mostly on top and the next block has the weft yarns mostly on top. I’m weaving with a 22/2 cottolin yarns, sett at 24 ends/inch on 8 harnesses. Except for the border the weft yarn for this towel is a natural cottolin. Since I will being weaving 5 towels, I plan to use a different weft color in a couple. I can also play with block sizes which will help to make the weaving less boring. This is a favorite weave structure of mine for playing with blocks of color.
Juvenile Yellow-crowned Night-Heron seen on my walk last night.
Decisions, decisions. I made one on weft color. Here were the finalists. From the Left: hand painted green teal, a salmon, and a Nile green. I used a 20/2 silk yarn that was hand painted in the skein with two of the colors used in the warp alternating in multiple stripes around the skein. The non solid color warp seemed to soften the sharpness of the green in the warp.
The threading of the warp took longer than anticipated. The piece has border diamonds on each side. I miss calculated how to get the same border on each side. Resulting in the need to rethread half the width. Should have spent more time with my weaving software. Hope to have off the loom this week. More decisions will be made then on beads for fringe and how many. Happy weaving!
The weaving study group “WOW”, has an annual Holiday party. This year we went out to eat at a nice Italian restaurant “3 Olives Restaurant “. Members can participate in the exchange of a small handmade gift as part of the gathering. The gift is placed in a brown paper bag. Numbers are drawn to determine order of selection. I made this small handwoven bronson lace, zippered bag for the exchange. It’s nice to find a good use for those small pieces of handwoven fabric used to sample.
Our brown bags are in the background awaiting the numbers to be drawn so packages can be selected.
I received this beautiful beaded ornament (designed by Heddi Bradley) in the brown bag gift exchange.
Inspiration for these shadow weave towels come from the pumpkins seen everywhere at Halloween. Usually I use cottolin for shadow weave towels. For these 8/2 cotton is used with the same sett as if using cottolin, 20 ends per inch. A ten dent reed is used with 2 ends per dent. Weaving is done with 2 shuttles. The third shuttle was used when weaving the stripes at the base of the towel.
These zinnas could have been used for inspiration instead. This picture was taken on a much sunnier day than today. Happy Halloween to all you ghosts and goblins out there.
Weaver, Dyer, Fiber artist. Creating one of a kind Handwoven fashion accessories and items for the home on one of my 2 floor looms. I have been weaving for 40 some years, having learned while in college. The University of Wisconsin Stout offered weaving classes in their Home Economics department started my journey.The beauty of nature provides inspiration for much of my work.