This stool was started in a workshop at the Contemporary Handweavers of Texas conference in June. I don’t always finish theseprojects that are started in workshops and this one was not even half done when our class time was over. So I am so proud of myself for completing this loom stool. It is 12 inches high. Can’t forget to show the bottom side of this stool, too.
The Huck Lace scarves on the loom last post were woven off. I enjoyed weaving them so much I tied on a second warp and wove another 2 scarves this time in dark teal. All these scarves were finished with twisted fringe and beads.
Indoors, I wasn’t getting true colors when photographing so I took the above scarves outdoors on a sunny ☀️ day. By setting up in the shade of our trees to avoid shadows. I finally got a decent photo of the shawl that won 2nd place in the members exhibit at CHT. This was really a difficult piece to photograph.
One of the study groups I belong to, Westside Weavers, had an indigo dye day this week at Penny’s house in the country. Some of the pieces below are drying on the line.
Watch the indigo change as it oxidizes. When removed from the dye bath the pieces are a teal green and then change before ones eyes to blue. MAGIC!
I hurriedly wove a handwoven shibori scarf last week to dye. The scarf is plain weave with the pattern pull strings woven in a twill pattern every 6 picks. In the past I’ve always dyed my handwoven shibori scarves with procion dyes that were painted on. I’ve always wanted to try dyeing one by dipping in an indigo bath. The finished results can be seen below. yes I will finish twisting the fringe but I wanted to share.
Summer isn’t over yet so there is still time to find some inspiration.
It’s been a while since I’ve woven any Huck Lace. A new to me pattern this one is from “Weavers Best Huck Lace.” This pattern is by Dini Cameron, page 17. Huck Lace shows up best when a solid color is used in both the warp and weft. This is a scarf of 8/2 Lyocell (Tencel), sett at 20 epi. There are 3 motifs across the scarf.
Our last Guild meeting of the year was Hands on “Finishing Techniques – Tips and Tricks. There were five stations, Wet finishing, Rolled hems, Photographing work – Light box, twisted fringe, and Inkle bands.
I demonstrated twisted fringe and adding beads. When I add beads I often use a needle threader to make it easier and faster to add the beads to a warp end. A member had a good handweaving hack ” use type of dental floss used if you have a bridge or braces instead of needle threader.
This month there was a trip to Minneapolis, Minnesota to visit my mother. Since I grew up in the area we visited many of my past haunts. But alas I had to leave and came back to upper 80-90 degree days where winter coats are not required.
“Wholly Lace”, was the theme for this years swatch exchange. Each year the Contemporary Handweavers of Houston have a swatch exchange. The subject varies from year to year. Themes tend to be structure based like this years or artistic. Swatch Swap has taken place since 1990. Twenty Seven years and this was only my second time to participate.
Rosemary – Swarthmore Lace
Samples of Bronson, Canvas, Huck, Spot Bronson, Swarthmore and Swedish lace are in our finished books. Nine of us created a Huck lace variation.
Linda’s Bronson Lace
Next year’s Swatch Swap theme will be “Seasonal Inspiration”. What combination of colors, fibers, structure and design will you choose to create your interpretation of the theme?
If this shawl had been started after the awards ceremonies earlier this month it’s inspiration could have been all those beautiful metallic gowns worn by the celebrities attending. But my inspiration was from a previous project, a scarf woven in this pattern with a different metallic yarn.
The warp is an 8/2 Tencel sett at 20 epi. The weft is a gold metallic sewing thread sold for quilting.
The shawl is off the loom and having the fringe twisted and beaded. My fringe twister broke on finishing the previous shawl. One of the two alligator clips broke. It surely broke from over use. Luckily a second twister had been bought when the other had been misplaced for a short time. I could not live without this must have tool.
Normally I will weave a lot at this time of year. I have been distracted by preparations for my daughters upcoming wedding. Distractions also came in December from having a water connection break in an upstairs bath which proceeded to rain downstairs. Repairs from this will begin in a few weeks. This has meant moving my large loom to the center of our living room to initially dry carpet underneath. Soon it will be moved temporarily to an unknown space so new carpet pad Installed with carpet relaid and cleaned. Painting will also be done. I’m planning a project for a bateman study group. Hopefully that will be on the loom before long.
Linen and Huck lace weave go beautifully together. The loom was threaded with a bleached 16/2 linen in an 8 shaft Huck lace pattern. These two towels and the following gray towel were woven on this warp.
The guild annual sale has come and gone. An amazing amount of work goes into putting on this event. It always amazes me how many towels we sell.
Cotton, linen, and cottolin towels of every weave structure. Inspiration for future projects the sale is full of. Since I weave more than I can use or gift, this is an event I participate in to support my guild. Hopefully it will continue to take place in future years or I will need to find a different outlet for my work.
Possibly a swallowtail, it’s definitely larger than the monarchs that visit. Not sure if he was resting, injured or drying his wings.
Huck Lace is traditionally done the same solid color in both the warp and weft. The floats that create the design, are more visible with a solid color scarf. But why always follow tradition in your weaving, explore! So that is exactly what I have done with these two scarves. The weave structure is the same Huck lace pattern used in the previous post Love that huck.
The first scarf used a Varigated 8/2 Tencel warp. The weft was a solid color to coordinate with the darker color in the warp. The second scarf used a metallic quilting thread as the weft. Here the same warp was used as in the first scarf. The metallic weft created texture in the scarf after washing.
I’ve been busy weaving Huck lace scarves. It is one of my favorite weave structures. The first were these lovely purple tencel ones. I modified the draft from one for 12 harnesses to weave on 8 harnesses. But it still creates a nice pattern.
Being happy with the first 2 scarves, I tied on a new warp. These used a silver-gray tencel for the warp and weft. Later I played with the extra warp making samples for possible later projects. Using different types of yarn for the weft, as well as a different weave structures to create a crimp weave samples too.
When the metallic quilting thread was used for top of sample in photo 1, it remained soft after washing. This same metallic thread was used in the second sample photo. The crimp process gave a rough hand which would not work for a scarf. The third photo an 8/2 poly was used in weft giving a much nicer hand for this crimp weave sample.
If you’ve read this far I hope you enjoy the sunset at the beach in Cancun, Mexico, taken on a recent vacation.
Weaver, Dyer, Fiber artist. Creating one of a kind Handwoven fashion accessories and items for the home on one of my 2 floor looms. I have been weaving for 40 some years, having learned while in college. The University of Wisconsin Stout offered weaving classes in their Home Economics department started my journey.The beauty of nature provides inspiration for much of my work.