Barbara E. Huck Lace
“Wholly Lace”, was the theme for this years swatch exchange. Each year the Contemporary Handweavers of Houston have a swatch exchange. The subject varies from year to year. Themes tend to be structure based like this years or artistic. Swatch Swap has taken place since 1990. Twenty Seven years and this was only my second time to participate.
Rosemary – Swarthmore Lace
Samples of Bronson, Canvas, Huck, Spot Bronson, Swarthmore and Swedish lace are in our finished books. Nine of us created a Huck lace variation.
Linda’s Bronson Lace
Next year’s Swatch Swap theme will be “Seasonal Inspiration”. What combination of colors, fibers, structure and design will you choose to create your interpretation of the theme?
Theresa – Canvas weave
If this shawl had been started after the awards ceremonies earlier this month it’s inspiration could have been all those beautiful metallic gowns worn by the celebrities attending. But my inspiration was from a previous project, a scarf woven in this pattern with a different metallic yarn.
The warp is an 8/2 Tencel sett at 20 epi. The weft is a gold metallic sewing thread sold for quilting.
The shawl is off the loom and having the fringe twisted and beaded. My fringe twister broke on finishing the previous shawl. One of the two alligator clips broke. It surely broke from over use. Luckily a second twister had been bought when the other had been misplaced for a short time. I could not live without this must have tool.
Normally I will weave a lot at this time of year. I have been distracted by preparations for my daughters upcoming wedding. Distractions also came in December from having a water connection break in an upstairs bath which proceeded to rain downstairs. Repairs from this will begin in a few weeks. This has meant moving my large loom to the center of our living room to initially dry carpet underneath. Soon it will be moved temporarily to an unknown space so new carpet pad Installed with carpet relaid and cleaned. Painting will also be done. I’m planning a project for a bateman study group. Hopefully that will be on the loom before long.
Linen and Huck lace weave go beautifully together. The loom was threaded with a bleached 16/2 linen in an 8 shaft Huck lace pattern. These two towels and the following gray towel were woven on this warp.
The guild annual sale has come and gone. An amazing amount of work goes into putting on this event. It always amazes me how many towels we sell.
Cotton, linen, and cottolin towels of every weave structure. Inspiration for future projects the sale is full of. Since I weave more than I can use or gift, this is an event I participate in to support my guild. Hopefully it will continue to take place in future years or I will need to find a different outlet for my work.
Possibly a swallowtail, it’s definitely larger than the monarchs that visit. Not sure if he was resting, injured or drying his wings.
Varigated warp, Solid weft
Huck Lace is traditionally done the same solid color in both the warp and weft. The floats that create the design, are more visible with a solid color scarf. But why always follow tradition in your weaving, explore! So that is exactly what I have done with these two scarves. The weave structure is the same Huck lace pattern used in the previous post Love that huck.
The first scarf used a Varigated 8/2 Tencel warp. The weft was a solid color to coordinate with the darker color in the warp. The second scarf used a metallic quilting thread as the weft. Here the same warp was used as in the first scarf. The metallic weft created texture in the scarf after washing.
Varigated Tencel warp. Metallic quilting thread weft.
I’ve been busy weaving Huck lace scarves. It is one of my favorite weave structures. The first were these lovely purple tencel ones. I modified the draft from one for 12 harnesses to weave on 8 harnesses. But it still creates a nice pattern.
Being happy with the first 2 scarves, I tied on a new warp. These used a silver-gray tencel for the warp and weft. Later I played with the extra warp making samples for possible later projects. Using different types of yarn for the weft, as well as a different weave structures to create a crimp weave samples too.
When the metallic quilting thread was used for top of sample in photo 1, it remained soft after washing. This same metallic thread was used in the second sample photo. The crimp process gave a rough hand which would not work for a scarf. The third photo an 8/2 poly was used in weft giving a much nicer hand for this crimp weave sample.
If you’ve read this far I hope you enjoy the sunset at the beach in Cancun, Mexico, taken on a recent vacation.