It’s been a while since I’ve woven any Huck Lace. A new to me pattern this one is from “Weavers Best Huck Lace.” This pattern is by Dini Cameron, page 17. Huck Lace shows up best when a solid color is used in both the warp and weft. This is a scarf of 8/2 Lyocell (Tencel), sett at 20 epi. There are 3 motifs across the scarf.
Our last Guild meeting of the year was Hands on “Finishing Techniques – Tips and Tricks. There were five stations, Wet finishing, Rolled hems, Photographing work – Light box, twisted fringe, and Inkle bands.
I demonstrated twisted fringe and adding beads. When I add beads I often use a needle threader to make it easier and faster to add the beads to a warp end. A member had a good handweaving hack ” use type of dental floss used if you have a bridge or braces instead of needle threader.
This month there was a trip to Minneapolis, Minnesota to visit my mother. Since I grew up in the area we visited many of my past haunts. But alas I had to leave and came back to upper 80-90 degree days where winter coats are not required.
It’s hard to believe the holidays are right around the corner. Yes I’m still weaving whenever possible. This year I took on another role for the Houston Handweavers as President. Some say being president is an easy role. Yet trying to keep everyone engaged, while trying to help improve the health of the guild can be difficult task. But I decided that the guild was important to me so when no one else stepped up I said yes.
The above weaving uses 8 harnesses and 10 treadles. This advancing twill is an 8/2 twill, sett at 24 epi for a towel. I realized that one weft repeat had been left out throughout the piece. It will still be functional, but looks even better when treadled like this:
The transitions between boxes is much smoother with this one pick added to each repeat. Can you see the difference.
This could be interesting with different colors used in the warp for each box but a solid weft.
The temperature didn’t get low enough to do in these cannas. The Palm tree canopy may have helped to protect them.
Some days it seems one won’t ever get to the point of weaving beautiful cloth. A simple 8 shaft turned twill makes weaving fairly simple. There’s no need to even use the Tempo Treadle to help with weaving. Just treadle 1-4 two times than 5-8 two times and vala pattern repeat is done. One shuttle to throw so weaving goes quickly.
Weaving did go quickly but a few problems needed fixing first. I discovered when threading that there were not enough heddles on 2 of the shafts. Oh my! I could rethread so the heddles could then be moved around on the shafts. Instead I added string heddles which is a fairly easy fix.
A change in weft colors and varied treadling helped appease the boredom that can set in when weaving multiple towels on a longer warp.
“Wholly Lace”, was the theme for this years swatch exchange. Each year the Contemporary Handweavers of Houston have a swatch exchange. The subject varies from year to year. Themes tend to be structure based like this years or artistic. Swatch Swap has taken place since 1990. Twenty Seven years and this was only my second time to participate.
Rosemary – Swarthmore Lace
Samples of Bronson, Canvas, Huck, Spot Bronson, Swarthmore and Swedish lace are in our finished books. Nine of us created a Huck lace variation.
Linda’s Bronson Lace
Next year’s Swatch Swap theme will be “Seasonal Inspiration”. What combination of colors, fibers, structure and design will you choose to create your interpretation of the theme?
Linen and Huck lace weave go beautifully together. The loom was threaded with a bleached 16/2 linen in an 8 shaft Huck lace pattern. These two towels and the following gray towel were woven on this warp.
The guild annual sale has come and gone. An amazing amount of work goes into putting on this event. It always amazes me how many towels we sell.
Cotton, linen, and cottolin towels of every weave structure. Inspiration for future projects the sale is full of. Since I weave more than I can use or gift, this is an event I participate in to support my guild. Hopefully it will continue to take place in future years or I will need to find a different outlet for my work.
Possibly a swallowtail, it’s definitely larger than the monarchs that visit. Not sure if he was resting, injured or drying his wings.
We have set up our looms to weave tables runners. There will be enough warp to weave 11 different motifs. I plan to do 2 table runners, not one long one.
Tied on and ready to weave.
Rosalie teaches a new method of designing for rep weave Her tools and techniques can be applied to other block weaves. With my 8 shaft loom I have 4 blocks available for designing. There are a mind boggling 1,024 possibilities of combinations. ( There is a future book that Rosalie will publish on these design techniques. One of these will definitely find it’s way into my weaving library.)
Another rep motif woven
My color scheme was inspired by pumpkins. Two motifs down and 9 to go!
My loom was setup to do weft Shibori which meant I needed to use a polyester or Orlon yarn in the weft to create crimp cloth. These two types of yarn are heat sensitive. The warp could be any fiber I wanted to use. I used a teal 10/2 bamboo with a few stripes of silver 8/2 Tencel. The threading was an advancing twill. As a workshop the point is to try to weave as many samples as possible. After the samples are woven and taken off the loom,the pattern threads are pulled tightly up. Next the piece is steamed, and pattern threads are removed. The result is crimp cloth, fabric with permanent texture.
Sample on loom. Black threads are pattern pull threads.
Samples above were made during workshop. Different yarn types, sizes and combinations of yarns were used in weft to create the samples. The possibilities are endless. Now what weave structure to try next?
My warp from the Rosalie Neilson‘s Rep Weave workshop put on by the Contemporary Handweavers of Houston guild, has been woven and is off the loom. It’s been a few years since I’ve woven Rep.
The workshop, “It’s in the Warp: Color& Design in Rep”, is worth taking. Rosalie explained in a precise manner how this weave structure works. The 4 yd warp let one explore the design possibilities of this weave structure. Except for the trials caused by the sticking harnesses on my 8 shaft Baby Mac loom this was a great workshop that I would highly recommend. Below are the pieces woven as I explored the possibilities of weaving rep.
You can see other workshop participants rep weaving by clicking on this link: http://weavehouston.org/reppin-with-rosalie/. The 15 weavers could choose from different pattern threadings so there is a variety of Rep patterns produced. .
Warping of the painted silk has begun. It’s ready to be sleyed and threaded. The warp was painted earlier at a dye day at the Contemporary Handweavers of Houston‘s Guild House. I wasn’t excited about the results, so I set it aside for a few months. Now I’m ready to put my design ideas to work. I will be threading an 8 harness manifold weave. I’m still debating weft colors so that will probably need some sampling.
On the inkle loom a new tablet weaving is in the works using three colors in the warp and 16 tablets .
There is still one loom naked so I hope this next week to work on another project for it.
A Mangle is a tool that adds beauty to finished Linen items.
Linen that has been mangled is imparted with a sheen that is hard to attain by other methods. In modern society it might be viewed as an item of torture. Non electrified, this mangle requires manual labor, it goes against our modern society. One of the members of the Contemporary Handweavers of Houston has loaned this mangle to the Guild membership to use. The mangle was acquired in Sweden needing some tender loving care, which Julie’s husband provided. Having never used a mangle. I was eager to see the difference that it would make to the appearance of a linen textile. Tracy demonstrated the use of the mangle for our WOW study group. She misted with water the piece to be mangled and ran it several times through the mangle rollers between an upper and lower layer of sheeting fabric. This look can not be attained by ironing alone. It is best done after washing the linen item for the first time and air drying ( no machine drying), till slightly damp. I definitely will attempt to mangle any future linen items I weave.
Weaver, Dyer, Fiber artist. Creating one of a kind Handwoven fashion accessories and items for the home on one of my 2 floor looms. I have been weaving for 40 some years, having learned while in college. The University of Wisconsin Stout offered weaving classes in their Home Economics department started my journey.The beauty of nature provides inspiration for much of my work.