Category Archives: weaving workshop

Wholly Lace

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Barbara E.    Huck Lace

“Wholly Lace”, was the theme for this years swatch exchange. Each year the Contemporary Handweavers of Houston have a swatch exchange. The subject varies from year to year. Themes tend to be structure based like this years or artistic. Swatch Swap has taken place since 1990. Twenty Seven years and this was only my second time to participate.

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Rosemary  – Swarthmore Lace

Samples of Bronson, Canvas, Huck, Spot Bronson, Swarthmore and Swedish lace are in our finished books.  Nine of us created a Huck lace variation.

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Linda’s    Bronson Lace

Next year’s Swatch Swap theme will be “Seasonal Inspiration”.  What combination of colors, fibers, structure and design will you choose to create your interpretation of the theme?

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Theresa – Canvas weave

 

Linen and Huck

 

img_0820Linen and Huck lace weave go beautifully together. The loom was threaded with a bleached 16/2 linen  in an 8 shaft Huck lace pattern. These two towels and the following gray towel were woven on this warp.

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The guild annual sale has come and gone. An amazing amount of work goes into putting on this event. It always amazes me how many towels we sell.

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Cotton, linen, and cottolin towels of every weave structure. Inspiration for future projects the sale is full of. Since I weave more than I can use or gift, this is an event I participate in to support my guild. Hopefully it will continue to take place in future years or I will need to find a different outlet for my work.

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Possibly a swallowtail, it’s definitely larger than the monarchs that visit. Not sure if he was resting, injured or drying his wings.

Finishing projects

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This chenille scarf is so soft and cuddly. It has wonderful texture and the black makes the colors pop. I only wish I had enough warp length to make two scarves and not just the one. The left over warp I wove off to make one or 2 small purses, yet to be assembled.

imageThis sewing kit I started in a HGA Convergence 2016 class “Books-Bags-Boxes and Beyond”, and finished at home. The rep fabric was woven by Lucienne Coifman. I added extra decorative stitching and beading for embellishment to personalize the kit.

I spent the past week at my sons home watching his dog while he has been on his honeymoon in Italy. I packed woven fabric and supplies to make purses, and bags for our guild sale in November. I cut out fabric and did partial assembly. Of course I did not bring along some key items needed for final assembly. So that will have to wait for my return home.

Tales From HGA Convergence 2016

 

imageI’m back  from attending HGA Convergence 2016 in Milwaukee, Wi. If you have never attended, it is an experience I highly recommend. From the exhibits, speakers and classes to the vendor hall, so much inspiration. Being able to talk with weavers from all over the nation and world in one place is invaluable. HGA Convergence includes other fiber arts beyond hand weaving: felting, dyeing, spinning and others.

Yarn Purchased at Convergence

The vendor hall had all kinds of equipment, yarn, fiber, books and clothing. This was some of the yarn I purchased from Giovannia Imperia, Interlacements, Lone Star Loom Room, Redfish, Webs and Yarnbarn of Kansas. There were tools big and small. I tried weaving on 6 different looms including three different compu-dobby looms. This is invaluable if possibly buying a new loom in the future.

Tools purchased at Convergence 2016

The shuttle is a Flying Dutchman made by Louet.  It has 2 unique features. A bar that will lift any warp yarns that are lower in the shed, and a guide for the yarn coming off the shuttle. I had never seen one before and actually tried weaving with one in the vendor hall and knew I had to have one. Next, there are two weaving swords the top darker one made by Kessnich Looms and the other by Schacht. The small shuttle I’ll use with my Inckle loom and tablet weaving. It has one edge that is sharp to help beat in the yarn. It also was made by Kessnich looms.

I took 4 classes learning new techniques in all.

Go Big with Color and Weave   Karen Donde

When a Single Harness is not Enough – Double Harness                                         Techniques.   Sara Von Tresckow

An Introduction to Natural Dying and Woven Shibori.   Catharine Ellis

Rep Weave – Books,Bags, Boxes, and Beyond.  Lucienne Coifman

The trick now is to apply some of what I learned.

Same Warp Different Designs

Rep FlowersOk, I’ve been offline for a long time. Life got in the way. Some good and some bad , but  I’m going to try to get back in the groove of posting more often. These Rep weave pieces were woven with the warp from Rosalie Nielson’s workshop last October.( I don’t yet have another warp on that loom.) They were all done using the same tie-up. The different looks were created using treadling variations and weft differences. The first is a traditional rep weave, an original design. Applying the  design tools learned in Rosalie’s workshop made creating an original design a breeze.Cell Rep

This runner  does not have the thin weft in between each thick weft. It gives a totally different look. The weft is also half the thickness as the traditional rep runner. Below is a close up of a sample piece with this technique.

Rep close up

I’ll close with these Spring flowers from a recent trip to the Dallas Arboretum.

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Autumn Rep Runner

imageThe completed Autumn inspired runner  is from the Rosalie Neilson weaving workshop I took last month.  The runner will be gracing my dining room table at Thanksgiving. Of course once all the food is placed on the table it maybe hard to see.  There will be the traditional turkey with all the extras, green bean casserole, candied sweet potatoes, mashed potatoes and gravy, asparagus, cranberry sauce, and yeast rolls, followed up by pumpkin pie. We’ll be hosting my daughter and her boy friend. My son and his fiancé will be at her families dinner.

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The remaining two motifs woven were published in the previous post, “Designing with Rep Weave.”

Little oranges

The bounty from our little orange tree. The top of the tree suffers from freezing last winter. Yet it produced 10 oranges much better than last years crop of zero. May you all enjoy the bounty and fellowship of Thanksgiving.

Designing with Rep Weave

Design 1 for Rep Table runner.

Design 1 for Rep Table runner.

Hard to believe that over a week ago I was taking my second workshop from  Rosalie Neilson.

Rosalie Neilson's program for Contemporary Handweavers of Houston Guild meeting, Oct. 2015

Rosalie Neilson’s program for Contemporary Handweavers of Houston Guild meeting , Oct. 2015

We have set up our looms to weave  tables runners. There will be enough warp to weave 11 different motifs. I plan to do 2 table runners, not one long one.

Tied on and ready to weave.

Tied on and ready to weave.

Rosalie teaches a new method of designing for rep weave Her tools and techniques can be applied to other block weaves. With my 8 shaft loom I have 4 blocks available for designing. There are a mind boggling 1,024 possibilities of combinations. ( There is a future book that Rosalie will publish on these design techniques. One of these will definitely find it’s way into my weaving library.)

Another rep motif  woven

Another rep motif woven  

My color scheme was inspired by pumpkins. Two motifs down and 9 to go!