Tag Archives: Hand weaving

In the Shadows

IMG_5379It is so nice to be able to weave again. The work is completed on the house, (sigh of relief). I have almost finished washing all the crystal and china to put back into the cabinets. It makes me wonder why I collect depression glass.

On the loom is an 8 harness shadow weave. They will be towels when completed. The 8/2 cotton is from Webs in a black and light gray. The colors alternate in the warp and weft, except at pattern block transitions where 2 shots of black are used. Keeps me on my toes. I really like the business of the pattern.

I was surprised at the size of this bubble bee collecting pollen from the snap dragons in pots on the deck. With temps the last few days in the upper 80’s those snapdragons are beginning to fade . Soon some summer annuals will be planted to replace.

Small Bags

 

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So what do you do with all the small pieces of  handwoven fabric from sampling and weaving off a warp? Small bags with and without a strap are one possibility.

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With pockets

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Beaded

 

 

 

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                                                  Antique button closure

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Simple, but elegant

The possibilities are endless.

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Happy Holidays to all, and may your New Year be filled with many fiber related projects.

 

 

 

 

Obsession

img_0814 Hard to believe this Weave It throw has been in the works for too many years. One of those projects begun before I owned a floor loom, ( 30 some years ago), which seems a life time ago. In moving around my studio this year it required the emptying of the walk-in closet for painting. What should I come across but a bag full of Weave It squares and some skeins of matching yarn. The original goal was to make an Afghan or throw, but there were not enough squares In that bag. I hate unfinished projects langushing away in hidden places. So do I trash them or finish what I had begun years ago. The nice thing about Weave It looms is they are very portable and easy to work on in the evening while sitting by the TV.

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So the obsessive work continued. Enough squares were made for a throw 13 squares by 11 squares. Each square is about 4 x 4 inches. A total of 143 squares, which were then crocheted together and all the ends sewn in.

Do you have unfinished projects tucked away?  Should they be resurrected and brought back to life? More incomplete projects remain in my closet, maybe another will be completed in the coming year.

Finishing projects

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This chenille scarf is so soft and cuddly. It has wonderful texture and the black makes the colors pop. I only wish I had enough warp length to make two scarves and not just the one. The left over warp I wove off to make one or 2 small purses, yet to be assembled.

imageThis sewing kit I started in a HGA Convergence 2016 class “Books-Bags-Boxes and Beyond”, and finished at home. The rep fabric was woven by Lucienne Coifman. I added extra decorative stitching and beading for embellishment to personalize the kit.

I spent the past week at my sons home watching his dog while he has been on his honeymoon in Italy. I packed woven fabric and supplies to make purses, and bags for our guild sale in November. I cut out fabric and did partial assembly. Of course I did not bring along some key items needed for final assembly. So that will have to wait for my return home.

Natural Dyeing and Handwoven Shibori

by Catherine Ellis

by Catherine Ellis

Catharine Ellis wrote the book,  “Woven  Shibori”. While attending HGA Convergence 2016, I had the privilege of taking a class with her,  Natural Dyeing and Hand Woven Shibori. This was not a hands on class, but a lecture with a wealth of information she generously shared with us.

If you’ve followed my blog there have been several posts on Handwoven Shibori pieces I’ve created.  All my work has used synthetic dyes, At one time Catharine also used synthetic dyes, but today she only works with Natural dyes. The variety of colors She achieves with her techniques is amazing.

My future to do list now includes more Woven Shibori dyed with natural dyes.

 

Tales From HGA Convergence 2016

 

imageI’m back  from attending HGA Convergence 2016 in Milwaukee, Wi. If you have never attended, it is an experience I highly recommend. From the exhibits, speakers and classes to the vendor hall, so much inspiration. Being able to talk with weavers from all over the nation and world in one place is invaluable. HGA Convergence includes other fiber arts beyond hand weaving: felting, dyeing, spinning and others.

Yarn Purchased at Convergence

The vendor hall had all kinds of equipment, yarn, fiber, books and clothing. This was some of the yarn I purchased from Giovannia Imperia, Interlacements, Lone Star Loom Room, Redfish, Webs and Yarnbarn of Kansas. There were tools big and small. I tried weaving on 6 different looms including three different compu-dobby looms. This is invaluable if possibly buying a new loom in the future.

Tools purchased at Convergence 2016

The shuttle is a Flying Dutchman made by Louet.  It has 2 unique features. A bar that will lift any warp yarns that are lower in the shed, and a guide for the yarn coming off the shuttle. I had never seen one before and actually tried weaving with one in the vendor hall and knew I had to have one. Next, there are two weaving swords the top darker one made by Kessnich Looms and the other by Schacht. The small shuttle I’ll use with my Inckle loom and tablet weaving. It has one edge that is sharp to help beat in the yarn. It also was made by Kessnich looms.

I took 4 classes learning new techniques in all.

Go Big with Color and Weave   Karen Donde

When a Single Harness is not Enough – Double Harness                                         Techniques.   Sara Von Tresckow

An Introduction to Natural Dying and Woven Shibori.   Catharine Ellis

Rep Weave – Books,Bags, Boxes, and Beyond.  Lucienne Coifman

The trick now is to apply some of what I learned.

Love that huck

Light Purple Huck laceI’ve been busy weaving Huck lace scarves. It is one of my favorite weave structures. The first were these lovely purple tencel ones. I modified the draft from one for 12 harnesses to weave on 8 harnesses. But it still creates a nice pattern.Silver grey huck scarf

Being happy with the first 2 scarves, I tied on a new warp. These used a silver-gray tencel for the warp and weft. Later I played with the extra warp making samples for possible later projects. Using different types of yarn for the weft, as well as a different weave structures to create a crimp weave samples too.

When  the metallic quilting thread was used for top of sample in photo 1, it remained soft after washing. This same metallic thread was used in the second sample photo. The crimp process gave a rough hand which would not work for a scarf. The third photo an 8/2 poly was used in weft giving a much nicer hand for this crimp weave sample.

If you’ve read this far I hope you enjoy the sunset at the beach in Cancun, Mexico, taken on a recent vacation.April 2016 557

Spring weaving

Hooks and EyesI’m weaving scarves. With spring in the air , one day hot, one day cold, they will need to be light weight. A 10/2 tencel warp with a 20/2 silk pattern weft and a 30/2 silk tabby weft fills the bill. This is a miniature overshot pattern. ” Hooks and Eyes” (design 71)”, is  found in the book: Weaving Designs by Bertha Gray Hayes. These miniature overshot drafts work nicely in smaller formats like scarves.

Neil Diamond Tea Rose

Planted two new roses this year to replace some that had died. This is a Neil Diamond Tea Rose. Smells wonderful too. Now to continue weaving.

 

 

Same Warp Different Designs

Rep FlowersOk, I’ve been offline for a long time. Life got in the way. Some good and some bad , but  I’m going to try to get back in the groove of posting more often. These Rep weave pieces were woven with the warp from Rosalie Nielson’s workshop last October.( I don’t yet have another warp on that loom.) They were all done using the same tie-up. The different looks were created using treadling variations and weft differences. The first is a traditional rep weave, an original design. Applying the  design tools learned in Rosalie’s workshop made creating an original design a breeze.Cell Rep

This runner  does not have the thin weft in between each thick weft. It gives a totally different look. The weft is also half the thickness as the traditional rep runner. Below is a close up of a sample piece with this technique.

Rep close up

I’ll close with these Spring flowers from a recent trip to the Dallas Arboretum.

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Change the Color

Jewel on the loomSo I skipped threading the heddles and sleying the reed, by tying on a new warp to the last warp on the loom. From earthy Autumn to Jewel tones the warp has changed. These colors just made me feel happy as I wove. There will be 5 Cottolin (cotton and linen blend yarn) towels.

Jewel False Satin Towels

One of the towels will be for me and the remaining four are for sale in the Gallery at the Contemporary Handweavers of Houston, Guild House . The color in the photo on the loom is better than of the finished towels. Funny how different light sources affect the captured image.

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This Santa ornament was added to our Christmas tree this year. It was made from a Mill Hill beaded counted cross stitch kit. The kits contain everything one needs to complete the project. The beads add sparkle to the piece. I’ve started stitching a new ornament for next year.  The tree is decorated for Christmas and awaiting packages to be placed beneath.